epigraphs.pod (perl-5.28.2.tar.xz) | : | epigraphs.pod (perl-5.28.3.tar.xz) | ||
---|---|---|---|---|
skipping to change at line 20 | skipping to change at line 20 | |||
from a literary or other creative work, chosen by the pumpking or release | from a literary or other creative work, chosen by the pumpking or release | |||
manager. This file assembles the known list of epigraph for posterity, | manager. This file assembles the known list of epigraph for posterity, | |||
and also links to the release announcements in mailing list archives. | and also links to the release announcements in mailing list archives. | |||
I<Note>: these have also been referred to as I<epigrams>, but the | I<Note>: these have also been referred to as I<epigrams>, but the | |||
definition of I<epigraph> is closer to the way they have been used. | definition of I<epigraph> is closer to the way they have been used. | |||
Consult your favorite dictionary for details. | Consult your favorite dictionary for details. | |||
=head1 EPIGRAPHS | =head1 EPIGRAPHS | |||
=head2 v5.31.11 - John F. Kennedy, National Committee for a Sane Nuclear Policy | ||||
L<Announced on 2020-04-28 by Sawyer X|https://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2020/04/msg257385.html> | ||||
Mankind must put an end to war, or war will put an end to mankind. | ||||
=head2 v5.31.10 - Christina Rossetti, "Remember" | ||||
L<Announced on 2020-03-20 by Sawyer X|https://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2020/03/msg257274.html> | ||||
Remember me when I am gone away, | ||||
Gone far away into the silent land; | ||||
When you can no more hold me by the hand, | ||||
Nor I half turn to go yet turning stay. | ||||
Remember me when no more day by day | ||||
You tell me of our future that you plann'd: | ||||
Only remember me; you understand | ||||
It will be late to counsel then or pray. | ||||
Yet if you should forget me for a while | ||||
And afterwards remember, do not grieve: | ||||
For if the darkness and corruption leave | ||||
A vestige of the thoughts that once I had, | ||||
Better by far you should forget and smile | ||||
Than that you should remember and be sad. | ||||
=head2 v5.31.9 - Sten Nadolny, book The Discovery of Slowness | ||||
L<Announced on 2020-02-20 by Renee Bäcker|https://www.nntp.perl.org/group/perl.p | ||||
erl5.porters/2020/02/msg257144.html> | ||||
„When people talk too fast the content becomes as superfluous as the speed.“ | ||||
=head2 v5.31.8 - Joe Perham, "Joe Perham's Guide to Hunting and Guide to Fishing | ||||
in Maine" | ||||
L<Announced on 2020-01-20 by Matthew Horsfall|https://www.nntp.perl.org/group/pe | ||||
rl.perl5.porters/2020/01/msg256894.html> | ||||
Harry used to cut wood for the Brown company over in Stoneham Red | ||||
Rock Basin. And of course he was the best shot in camp. One day the | ||||
foreman told him to go get some meat. | ||||
"Take any gun you want." | ||||
Harry says "I'll take the .45-70." | ||||
Foreman said "That gun's only got one bullet." | ||||
Harry says "I only need one bullet." | ||||
Took the .45-70, went out, an hour later he was back with two Moose, | ||||
a dozen trout you see, and a fluffy partridge. Went back to work. | ||||
Well at supper that night foreman says "Harry, um, something's | ||||
bothering me here a little bit. How did you get all that food with | ||||
only one bullet. I'm a little confused about the... the partridge, | ||||
there ain't a mark on him." | ||||
"Well", Harry says, "I'll tell ya. I took that .45-70, went back into | ||||
the woods a piece there I come to this brook. And I just uh, got to | ||||
the other side when I happen to see two moose in the swamp off | ||||
there. I figured I could get both of 'em. So I took out my huntin' | ||||
knife and stuck it into the mud, hilt foremost, sharp edge on the | ||||
blade towards me of course. I took dead aim on that knife, fired, | ||||
split that bullet and killed those two moose. Well you know the | ||||
recoil knocked me back into the brook. When I come up out of the | ||||
water, my pants were so full of fish that it popped a button off my | ||||
fly and killed that bird." | ||||
=head2 v5.31.7 - Bernard Werber | ||||
L<Announced on 2019-12-20 by Atoomic|https://www.nntp.perl.org/group/perl.perl5. | ||||
porters/2019/12/msg256802.html> | ||||
Be quiet. Look at the stars and appreciate what you live. | ||||
=head2 v5.31.6 - Neal Stephenson, "Quicksilver" | ||||
L<Announced on 2019-11-20 by Chris 'BinGOs' Williams|https://www.nntp.perl.org/g | ||||
roup/perl.perl5.porters/2019/11/msg256646.html> | ||||
Invocation | ||||
State your intentions, Muse. I know you're there. | ||||
Dead bards who pined for you have said | ||||
You're bright as flame, but fickle as the air. | ||||
My pen and I, submerged in liquid shade, | ||||
Much dark can spread, on days and over reams | ||||
But without you, no radiance can shed. | ||||
Why rustle in the dark, when fledged with fire? | ||||
Craze the night with flails of light. Reave | ||||
Your turbid shroud. Bestow what I require. | ||||
But you're not in the dark. I do believe | ||||
I swim, like squid, in clouds of my own make, | ||||
To you, offensive. To us both, opaque. | ||||
What's constituted so, only a pen | ||||
Can penetrate. I have one here; let's go. | ||||
=head2 v5.31.5 - Edward Lear, ed. Vivien Noakes, "The Complete Nonsense and Othe | ||||
r Verse": The Daddy Long-legs and the Fly | ||||
L<Announced on 2019-10-20 by Steve Hay|https://www.nntp.perl.org/group/perl.perl | ||||
5.porters/2019/10/msg256478.html> | ||||
'O Mr Daddy Long-legs,' | ||||
Said Mr Floppy Fly, | ||||
'It's true I never go to court, | ||||
And I will tell you why. | ||||
If I had six long legs like yours, | ||||
At once I'd go to court! | ||||
But oh! I can't, because my legs | ||||
Are so extremely short. | ||||
And I'm afraid the King and Queen | ||||
(One in red, and one in green) | ||||
Would say aloud, "You are not fit, | ||||
You Fly, to come to court a bit!"' | ||||
=head2 v5.31.4 - Ann Leckie, "The Raven Tower" | ||||
L<Announced on 2019-09-20 by Max Maischein|https://www.nntp.perl.org/group/perl. | ||||
perl5.porters/2019/09/msg256254.html> | ||||
Stories can be risky for someone like me. What I say must be true, or it | ||||
will be made true, and if it cannot be made true - if I don't have the | ||||
power, or if what I have said is an impossibility - then I will pay the | ||||
price. I might more or less safely say, "Once there was a man who rode | ||||
home to attend his father's funeral and claim his inheritance, but | ||||
matters were not as he expected them to be." I do not doubt that such a | ||||
thing has happened more than once in all the time there have been | ||||
fathers to die and sons to succeed them. But to go any further, I must | ||||
supply more details - the specific actions of specific people, and their | ||||
specific consequences - and there I might blunder, all unknowing, into | ||||
untruth. It's safer for me to speak of what I know. Or to speak only in | ||||
the safest of generalities. Or else to say plainly at the beginning, | ||||
"Here is a story I have heard," placing the burden of truth or not on | ||||
the teller whose words I am merely accurately reporting. | ||||
But what is the story that I am telling? Here is another story I have | ||||
heard: | ||||
Once there were two brothers, and one of them wanted what the other had. | ||||
Bent all his will to obtain what the other had, no matter the cost. | ||||
Here is another story: Once there was a prisoner in a tower. | ||||
And another: | ||||
Once someone risked their life out of duty and loyalty to a friend. | ||||
Ah, there's a story that I might tell, and truthfully. | ||||
=head2 v5.31.3 - Samantha Harvey, "All Is Song" | ||||
L<Announced on 2019-08-20 by Tom Hukins|https://www.nntp.perl.org/group/perl.per | ||||
l5.porters/2019/08/msg256012.html> | ||||
We are born from unity, we divide into isolation. We winnow ourselves | ||||
out from the thing that first made sense of us and then expect to find | ||||
meaning, yet a fraction makes no sense without the number of which | ||||
it's a fractional part. We see loss, feel grief, give ourselves | ||||
illness, we're cells that have over-divided and we call the division | ||||
growth; the only real growth is in the return to unity, God, the | ||||
unifying principle. | ||||
Tired to his core, he turned the video off. The rain still poured as | ||||
he went upstairs, and in bed as he tripped down into the deep open | ||||
shaft of sleep he kept thinking that to divide by zero was to end up | ||||
with infinity, as was to divide by God. To divide by God, to divide | ||||
by God, over and over he thought it without sense; to divide by God; I | ||||
must tell my students that the way to pass their exams is to divide by | ||||
God. Then he must have slept, for it was morning. | ||||
=head2 v5.31.2 - Edward Lear, ed. Vivien Noakes, "The Complete Nonsense and Othe | ||||
r Verse": The Duck and the Kangaroo | ||||
L<Announced on 2019-07-20 by Steve Hay|https://www.nntp.perl.org/group/perl.perl | ||||
5.porters/2019/07/msg255639.html> | ||||
Said the Duck to the Kangaroo, | ||||
'Good gracious! how you hop! | ||||
Over the fields and the water too, | ||||
As if you never would stop! | ||||
My life is a bore in this nasty pond, | ||||
And I long to go out in the world beyond! | ||||
I wish I could hop like you!' | ||||
Said the Duck to the Kangaroo. | ||||
=head2 v5.31.1 - Kurt Vonnegut, _A Man without a Country_ | ||||
L<Announced on 2019-06-20 by Karen Etheridge|https://www.nntp.perl.org/group/per | ||||
l.perl5.porters/2019/06/msg255243.html> | ||||
On Tuesday, January 20, 2004, I sent Joel Bleifuss, my editor at _In These | ||||
Times_, this fax: | ||||
ON ORANGE ALERT HERE. | ||||
ECONOMIC TERRORIST ATTACK | ||||
EXPECTED AT 8 PM EST. KV | ||||
Worried, he called, asking what was up. I said I would tell him when I had | ||||
more complete information on the bombs George Bush was set to deliver in his | ||||
State of the Union address. | ||||
That night I got a call from my friend, the out-of-print-science-fiction | ||||
writer Kilgore Trout. He asked me, "Did you watch the State of the Union | ||||
address?" | ||||
"Yes, and it certainly helped to remember what the great British socialist | ||||
playwright George Bernard Shaw said about this planet." | ||||
"Which was?" | ||||
"He said, 'I don't know if there are men on the moon, but if there are, they | ||||
must be using the earth as their lunatic asylum.' And he wasn't talking | ||||
about the germs or the elephants. He meant we the people." | ||||
"Okay." | ||||
"You don't think this is the Lunatic Asylum of the Universe?" | ||||
"Kurt, I don't think I expressed an opinion one way of the other." | ||||
"We are killing this planet as a life-support system with the poisons from | ||||
all the thermodynamic whoopee we're making with atomic energy and fossil | ||||
fuels, and everybody knows it, and practically nobody cares. This is how | ||||
crazy we are. I think the planet's immune system is trying to get rid of us | ||||
with AIDS and new strains of flu and tuberculosis, and so on. I think the | ||||
planet should get rid of us. We're really awful animals. I mean, that dumb | ||||
Barbra Streisand song, 'People who need people are the luckiest people in | ||||
the world' -- she's talking about cannibals. Lots to eat. Yes, the planet is | ||||
trying to get rid of us, but I think it's too late." | ||||
And I said good-bye to my friend, hung up the phone, sat down and wrote this | ||||
epitaph: "The good Earth -- we could have saved it, but we were too damn | ||||
cheap and lazy." | ||||
=head2 v5.31.0 - Fumiko Enchi, Masks | ||||
L<Announced on 2019-05-24 by Sawyer X|https://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/05/msg254886.html> | ||||
The secrets inside her mind are like flowers in a garden at | ||||
nighttime, filling the darkness with perfume. | ||||
=head2 v5.30.2 - Francesco Maria Piave, trans. Deutsche Grammophon GmbH, "La tra | ||||
viata", Act II, Scene 2 | ||||
L<Announced on 2020-03-14 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2020/03/msg257227.html> | ||||
FLORA, GASTON, DOCTOR, MARQUIS, CHORUS | ||||
(to Violetta) | ||||
Yes, you have suffered, but take heart! | ||||
Every one of us has shared your pain; | ||||
friends are around you to dry the tears | ||||
you have shed. | ||||
GERMONT | ||||
(I alone know the true devotion | ||||
this poor girl hides within her breast; | ||||
I know her faithful heart, | ||||
but I'm vowed so cruelly to silence.) | ||||
BARON | ||||
(softly to Alfredo) | ||||
Your deadly insult to this lady | ||||
offends us all, but such an outrage | ||||
shall not go unavenged! | ||||
I shall find a way to humble your pride! | ||||
ALFREDO | ||||
(Alas, what have I done? I feel terrible about it. | ||||
She will never forgive me.) | ||||
VIOLETTA | ||||
(coming to herself) | ||||
Alfredo, how should you understand | ||||
all the love that's in my heart? | ||||
How should you know that I have proved it, | ||||
even at the price of your contempt? | ||||
But the time will come when you will know, | ||||
when you'll admit how much I loved you. | ||||
God save you then from all remorse! | ||||
Even after death I shall still love you. | ||||
=head2 v5.30.2-RC1 - Francesco Maria Piave, trans. Deutsche Grammophon GmbH, "La | ||||
traviata", Act II, Scene 2 | ||||
L<Announced on 2020-02-29 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2020/02/msg257163.html> | ||||
ALFREDO | ||||
For me this woman lost | ||||
all she possessed. | ||||
I was blind, a wretched coward, | ||||
I accepted it all. | ||||
But it's time now for me to clear | ||||
myself from debt. | ||||
I call you all to witness here | ||||
that I've paid her back! | ||||
(Contemptuously, he throws his winnings at Violetta's feet. | ||||
She swoons in Flora's arms. Alfredo's father arrives suddenly.) | ||||
ALL | ||||
What you have done | ||||
is shameful! | ||||
To strike down | ||||
a tender heart that way! | ||||
You have insulted | ||||
a woman! | ||||
Get out of here! | ||||
We've no use for the likes of you! | ||||
Go! | ||||
GERMONT | ||||
(dignified in his anger) | ||||
A man who offends a woman, even in anger, | ||||
deserves nothing but scorn. | ||||
Where is my son? I no longer see him | ||||
in you, Alfredo. | ||||
ALFREDO | ||||
(What have I done? Yes, I despise myself! | ||||
Jealous madness, love deceived, | ||||
ravaged my soul, destroyed my reason. | ||||
How can I ever gain her pardon? | ||||
I would have left her, but I couldn't; | ||||
I came here to vent my anger, | ||||
But now I've done that, wretch that I am, | ||||
I feel nothing but deep remorse!) | ||||
=head2 v5.30.1 - Francesco Maria Piave, trans. Deutsche Grammophon GmbH, "La tra | ||||
viata", Act I: Brindisi | ||||
L<Announced on 2019-11-10 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/11/msg256610.html> | ||||
VIOLETTA: | ||||
With you I would share | ||||
my days of happiness; | ||||
everything is folly in this world | ||||
that does not give us pleasure. | ||||
Let us enjoy life, | ||||
for the pleasures of love are swift and fleeting | ||||
as a flower that lives and dies | ||||
and can be enjoyed no more. | ||||
Let's take our pleasure while its ardent, | ||||
brilliant summons lures us on! | ||||
=head2 v5.30.1-RC1 - Francesco Maria Piave, trans. Deutsche Grammophon GmbH, "La | ||||
traviata", Act I: Brindisi | ||||
L<Announced on 2019-10-27 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/10/msg256542.html> | ||||
ALFREDO: | ||||
Let's drink from the joyous chalice | ||||
where beauty flowers... | ||||
Let the fleeting hour | ||||
to pleasure's intoxication yield. | ||||
Let's drink | ||||
to love's sweet tremors -- | ||||
to those eyes | ||||
that pierce the heart. | ||||
Let's drink to love -- to wine | ||||
that warms our kisses. | ||||
=head2 v5.30.0 - Morihei Ueshiba | ||||
L<Announced on 2019-05-22 by Sawyer X|https://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/05/msg254844.html> | ||||
Life is growth. If we stop growing, technically and spiritually, we | ||||
are as good as dead. | ||||
=head2 v5.30.0-RC2 - Derek Walcott | ||||
L<Announced on 2019-05-17 by Sawyer X|https://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/05/msg254824.html> | ||||
The truest writers are those who see language not as linguistic process but | ||||
as a living element. | ||||
-- Derek Walcott | ||||
=head2 v5.30.0-RC1 - Marcel Proust | ||||
L<Announced on 2019-05-11 by Sawyer X|https://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/05/msg254748.html> | ||||
If a little dreaming is dangerous, the cure for it is not to dream | ||||
less but to dream more, to dream all the time. | ||||
-- Marcel Proust | ||||
=head2 v5.29.10 - Maya Angelou, Alone | ||||
L<Announced on 2019-04-20 by Sawyer X|https://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/04/msg254467.html> | ||||
Lying, thinking | ||||
Last night | ||||
How to find my soul a home | ||||
Where water is not thirsty | ||||
And bread loaf is not stone | ||||
I came up with one thing | ||||
And I don't believe I'm wrong | ||||
That nobody, | ||||
But nobody | ||||
Can make it out here alone. | ||||
Alone, all alone | ||||
Nobody, but nobody | ||||
Can make it out here alone. | ||||
There are some millionaires | ||||
With money they can't use | ||||
Their wives run round like banshees | ||||
Their children sing the blues | ||||
They've got expensive doctors | ||||
To cure their hearts of stone. | ||||
But nobody | ||||
No, nobody | ||||
Can make it out here alone. | ||||
Alone, all alone | ||||
Nobody, but nobody | ||||
Can make it out here alone. | ||||
Now if you listen closely | ||||
I'll tell you what I know | ||||
Storm clouds are gathering | ||||
The wind is gonna blow | ||||
The race of man is suffering | ||||
And I can hear the moan, | ||||
'Cause nobody, | ||||
But nobody | ||||
Can make it out here alone. | ||||
Alone, all alone | ||||
Nobody, but nobody | ||||
Can make it out here alone. | ||||
=head2 v5.29.9 - Sir Arthur Conan Doyle, The Adventure of the Dancing Men | =head2 v5.29.9 - Sir Arthur Conan Doyle, The Adventure of the Dancing Men | |||
L<Announced on 2019-03-21 by Zak Elep|https://www.nntp.perl.org/group/perl.perl5 .porters/2019/03/msg253978.html> | L<Announced on 2019-03-21 by Zak Elep|https://www.nntp.perl.org/group/perl.perl5 .porters/2019/03/msg253978.html> | |||
What one man can invent, another can discover. | What one man can invent, another can discover. | |||
=head2 v5.29.8 - Isaac Asimov, Foundation: “Never let your sense of morals get in the way of doing what's right.” | =head2 v5.29.8 - Isaac Asimov, Foundation: “Never let your sense of morals get in the way of doing what's right.” | |||
L<Announced on 2019-02-20 by Atoomic|https://www.nntp.perl.org/group/perl.perl5. porters/2019/02/msg253750.html> | L<Announced on 2019-02-20 by Atoomic|https://www.nntp.perl.org/group/perl.perl5. porters/2019/02/msg253750.html> | |||
skipping to change at line 221 | skipping to change at line 637 | |||
compunctious to have caused you such pericombobulation. | compunctious to have caused you such pericombobulation. | |||
Johnson: What? What? WHAT? | Johnson: What? What? WHAT? | |||
=head2 v5.29.0 - Erle Stanley Gardner, The Case of the Grinning Gorilla | =head2 v5.29.0 - Erle Stanley Gardner, The Case of the Grinning Gorilla | |||
L<Announced on 2018-06-26 by Sawyer X|http://nntp.perl.org/group/perl.perl5.port ers/251297> | L<Announced on 2018-06-26 by Sawyer X|http://nntp.perl.org/group/perl.perl5.port ers/251297> | |||
Courage is the only antidote for danger. | Courage is the only antidote for danger. | |||
=head2 v5.28.2 - Edward Lear, ed. Vivien Noakes, "The Complete Nonsense and Othe | ||||
r Verse": The Jumblies | ||||
L<Announced on 2019-04-19 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 | ||||
.porters/2019/04/msg254456.html> | ||||
They went to sea in a Sieve, they did, | ||||
In a Sieve they went to sea: | ||||
In spite of all their friends could say, | ||||
On a winter's morn, on a stormy day, | ||||
In a Sieve they went to sea! | ||||
And when the Sieve turned round and round, | ||||
And every one cried, 'You'll all be drowned!' | ||||
They called aloud, 'Our Sieve ain't big, | ||||
But we don't care a button! we don't care a fig! | ||||
In a Sieve we'll go to sea!' | ||||
Far and few, far and few, | ||||
Are the lands where the Jumblies live; | ||||
Their heads are green, and their hands are blue, | ||||
And they went to sea in a Sieve. | ||||
=head2 v5.28.2-RC1 - Edward Lear, ed. Vivien Noakes, "The Complete Nonsense and Other Verse": The Quangle Wangle's Hat | =head2 v5.28.2-RC1 - Edward Lear, ed. Vivien Noakes, "The Complete Nonsense and Other Verse": The Quangle Wangle's Hat | |||
L<Announced on 2019-04-05 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 .porters/2019/04/msg254218.html> | L<Announced on 2019-04-05 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 .porters/2019/04/msg254218.html> | |||
On the top of the Crumpetty Tree | On the top of the Crumpetty Tree | |||
The Quangle Wangle sat, | The Quangle Wangle sat, | |||
But his face you could not see, | But his face you could not see, | |||
On account of his Beaver Hat. | On account of his Beaver Hat. | |||
For his Hat was a hundred and two feet wide, | For his Hat was a hundred and two feet wide, | |||
With ribbons and bibbons on every side, | With ribbons and bibbons on every side, | |||
skipping to change at line 2279 | skipping to change at line 2714 | |||
was sleeping, I killed the cock, wrapped it in the cloth and put the | was sleeping, I killed the cock, wrapped it in the cloth and put the | |||
four poles from the couch over it. Suddenly there was a huge crash | four poles from the couch over it. Suddenly there was a huge crash | |||
like a peal of thunder and a fiery 'ifrit swooped on the girl. I | like a peal of thunder and a fiery 'ifrit swooped on the girl. I | |||
fainted at the sight and when I recovered I heard a voice saying: | fainted at the sight and when I recovered I heard a voice saying: | |||
"By the Lord of the Ka'ba, the girl has been carried off!" and there | "By the Lord of the Ka'ba, the girl has been carried off!" and there | |||
was a sound like the rustling of wind and bitter weeping. At this I | was a sound like the rustling of wind and bitter weeping. At this I | |||
shed tears, struck my head and was filled with regret when it was no | shed tears, struck my head and was filled with regret when it was no | |||
longer of any use, for to me the whole world was worth no more than | longer of any use, for to me the whole world was worth no more than | |||
a bean. | a bean. | |||
=head2 v5.20.2 - Jonathan "Jonti" Picking, L<"Magical Trevor"|http://www.weebls- stuff.com/other-toons/video/magical-trevor.html> | =head2 v5.20.2 - Jonathan "Jonti" Picking, L<"Magical Trevor"|http://weebls-stuf f.com/toons/magical-trevor-episode-01-animated-music-video-mrweebl/> | |||
L<Announced on 2015-02-14 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 .porters/2015/02/msg225777.html> | L<Announced on 2015-02-14 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 .porters/2015/02/msg225777.html> | |||
Everyone loves Magical Trevor, | Everyone loves Magical Trevor, | |||
'Cos the tricks that he does are ever so clever; | 'Cos the tricks that he does are ever so clever; | |||
Look at him now, disappearin' the cow, | Look at him now, disappearin' the cow, | |||
Where is the cow hidden right now? | Where is the cow hidden right now? | |||
Taking a bow, it's Magical Trevor, | Taking a bow, it's Magical Trevor, | |||
Everybody's seen that the trick is clever; | Everybody's seen that the trick is clever; | |||
skipping to change at line 2303 | skipping to change at line 2738 | |||
Yeah, yeah, yeah, the cow is back, | Yeah, yeah, yeah, the cow is back, | |||
Yeah, yeah, yeah, the cow is back; | Yeah, yeah, yeah, the cow is back; | |||
Back, back, back from his magical journey, | Back, back, back from his magical journey, | |||
Yeah! | Yeah! | |||
What did he see in the parallel dimension? | What did he see in the parallel dimension? | |||
He saw beans, lots of beans, lots of beans, lots of beans; | He saw beans, lots of beans, lots of beans, lots of beans; | |||
Oh, beans, lots of beans, lots of beans, lots of beans, | Oh, beans, lots of beans, lots of beans, lots of beans, | |||
Yeah, yeah! | Yeah, yeah! | |||
=head2 v5.20.2-RC1 - Jonathan "Jonti" Picking, L<"Scampi"|http://www.weebls-stuf f.com/other-toons/video/scampi.html> | =head2 v5.20.2-RC1 - Jonathan "Jonti" Picking, L<"Scampi"|http://weebls-stuff.co m/toons/ive-seen-things-scampi-animated-music-video-mrweebl/> | |||
L<Announced on 2015-02-01 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 .porters/2015/02/msg225273.html> | L<Announced on 2015-02-01 by Steve Hay|http://www.nntp.perl.org/group/perl.perl5 .porters/2015/02/msg225273.html> | |||
I've seen things, | I've seen things, | |||
I've seen them with my eyes; | I've seen them with my eyes; | |||
I've seen things, | I've seen things, | |||
They're often in disguise. | They're often in disguise. | |||
Like carrots, handbags, cheese, toilets, | Like carrots, handbags, cheese, toilets, | |||
Russians, planets, hamsters, weddings, | Russians, planets, hamsters, weddings, | |||
End of changes. 4 change blocks. | ||||
2 lines changed or deleted | 466 lines changed or added |